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Miley
Cyrus
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Tennessi
Los Angeles
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Русский, English
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06 января 2012 года
12 лет 10 месяцев 13 дней
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07 апреля 2012 в 17:20:47
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actress, singer\Demi Moore and I are getting ready for their new film, LOL: Laughing Out Loud. The duo posed with director Lisa Azuelos. The movie is a remake of a French movie made in 2008, and in the remake Demi will play Miley’s mom! In the film, Miley’s character, Lola, has been dumped by her boyfriend and decides to go after his best friend, while simultaneously her divorced mother, Anne, played by Demi, is finding it difficult to restart her life as a sin
``I 18, will host Saturday Night Live for the first time on March 5 Miley, who recently wrapped the movie So Undercover, will show off her comedic chops but not her vocal skills: A separate musical guest will join Cyrus that night. And the big question remains: Will Miley appear on The Miley Cyrus Show, a sketch where SNL castmate Vanessa Bayer parodies the young star? That would be, like, pretty cool! As Cyrus rampaged through “I Love Rock ‘n’ Roll, ” the Runaways’ “Cherry Bomb” and Jett’s signature “Bad Reputation, ” I couldn’t help but imagine her sitting in a movie theater watching the recent biopic about that teen-age band. How could she not relate to the story of those wild girls, manipulated in ways connected to, though different from, her own youthful stardom, and struggling to find the will to go beyond that psychological serfdom? By embracing the role and the sound of the rock rebel, Cyrus claimed Jett, who was herself 17 in the Runaways, as mentor. And she also showed that she’s still listening to Mom and Dad. One way to see her latest phase is as an attempt to claim the abandon and sense of power that rock offered her parents’ generation. Rock has always celebrated sexual liberation. It seems completely natural that Cyrus would not only present that as part of her act, but actually feel it. ...And many
The 53rd Annual GRAMMY Awards will take place in Los Angeles at Staples Center on Sunday, Feb. 13, 2011, and will air live on the CBS Television Network from 8–11:30 p.m. (ET/PT). Miley will be presenting at the awards. Kill Brand has hooked up with Trace Cyrus to release his clothing line called, Southern Made Hollywood Paid. The release is set for July 4th and it will feature everything from shirts to hoodies, bookbags, posters, and bracelets. Keep checking back to KillBrand.com for more details The new version of the film will be written and directed by Azuelos, who is the original writer/director of the French film. And the star-studded cast is rounded out by Twilight superstar beauty Ashley Greene who has been busy filming with Miley in Detroit! As for the content of her latest efforts, Cyrus, who co-writes with professional songwriters, is expressing the same fears and hopes that often preoccupy late adolescents. Freedom, individuality and the need to know whether love is true were certainly preoccupations of mine back when I was a 17-year-old Catholic kid with a first boyfriend and an eye on the world beyond high school. They seemed a bit beyond my 6-year-old; she got bored and went to look at the colorfully decorated side balcony while Miley got deep into her new stuff, though she happily air-drummed during her cover of “Every Rose Has Its Thorn, ” and returned to sing and dance along with the oldies the former Hannah trotted out after the live-streaming portion of the night ended. She really just wanted to sing along to “Party in the U.S.A.” One telling portion of Cyrus’ House of Blues set, not included in the live stream and mostly ignored by my own child, really seemed aimed at the grown-ups in the room. Oiling the wheels of her music with the real rock band that backed her all night, she smashed together three songs representing an elder few might have expected her to cite — Joan Jett, the former “jailbait” star who became one of rock’s most important female figures after surviving her intensely packaged pop you ´´´´´´´´´´´´´´´´´´´´´´´´´´´´´´´17¢ø¢oø1´, ´´´´´´´´´´´´´´´´´´´´´´´´´´´´´´¢¶¶oooo´1o¶, ´´´´´´´´´´´´´1´´´´´´´´´´´´´´$¶¶$ø¢¢øø17¶$, ´´´´´´´´´´´´´´´´´´´´´´´o´´7¶¢1´7oøoø´o7¶1, ´´11¶¶¶¶¶¶¶¶¶ø´´´´7´´´´´´ø¶ø´1oø¢o1ø´o¶¢, o¶¶¢¶ø¢¢¢¢77oø¶¶¶´´´´´´´o¶¢7ø$øoo7o$77¶o, ´¶¶7´7o77177777oø¶¶1´´´´¶øooo77777oø7¶¶, ´´¶¶¶7o¢øø77ø¢ooooø¶¶¶¶¶¶¢oooo7177¢7o¶7, ´´´´¶¶7´oooooooo77177o7øø¢¢ø¢ooooøø¢¶, ´´´´´7¶¢o7¢øoo7717oøø¶¶øoø¢ooo¢¢ooooo$7, ´´´´´´7¶¶ø17oo7oø¶øøooøooooo777o¢oo71´o¶1, ´´´´´´´´1¶¶$oø$$¢111¢1o¶¶ø7oøøo7ooooø7¢1¶, ´´´´´´´´´´ø177´o1´ooo´¢ø´¶ø7oooø¢oo1¢1ø7¶, ´´´´´´´´´¶¢¢7o7oo¢oøo´ø¶
Miley is nominated for 3 Categories at the 2011 Kids Choice Awards: Favorite TV Actress Favorite Movie Actress Favorite Female Singer April 2, 2011 Live in LA: Hosted by Jack Black, the award show will premiere LIVE on Saturday, April 2, @ 8PM on Nickelodeon. Voting begins March 7th @ Nick.com had one main concern about bringing my grade school-age daughter to see Miley Cyrus at the House of Blues on the Sunset Strip, where she performed a show streamed live on the Internet celebrating the release of her “adult-themed” album “Can’t Be Tamed.” I was worried that the show might be too loud. So we made sure to pack the earplugs before heading to the concert, and we sat on the floor and ate a grilled cheese sandwich before America’s latest sexual menace took the stage
Miley has gone into her closet and found some styles she wants to sell on eBay to benefit Get Ur Good On via Youth Service America. Over 75 items, plus she will personalize and sign her head shot for 10 different winners. Most auctions runs through August 25th, with the head shots ending on the 26th PG29263 Cyrus emerged on time, as the live stream demanded, marching onstage in leather pants and a cut-out leotard that, like many of her recent costumes, seemed Bob Fosse-inspired. (Her “shocking” costumes of late haven’t really been that revealing, though the brownface of the ice skating-chola getup she rocked at Sunday’s MuchMusic Awards went too far in a different way.) She stalked the stage with her dancers, singing her album’s title track, and then proceeded to chart and belt her way through several selections from “Can’t Be Tamed, ” including one song about not letting others rule her actions (“Robot”), another supporting “my gay fans” (“My Heart Beats for Love”), and another encouraging women to leave abusive or confining relationships (“Liberty Walk”). The sound of the new material was classic rock-lite, with big power chords and a few dance beats thrown in. Cyrus sang the material emphatically, displaying serious lung power throughout. She’s a capable rock belter with that nice rough grain to her voice — a quality that will benefit her as she goes through this harder-hitting vein, which may prove a lifelong path but more likely will make for a logical transition from the candy pop of her youth to the crossover country that’s her best bet for a long career.
American Hi-Fi’s new album, “Fight The Frequency” came out today. If you don’t already know, Stacy Jones and Jamie Arentzen make up half of the foursome. Singer, Stacy has been her Miley’s music director and drummer, while Jamie has been her guitarist. They’ve both been featured in everything and anything Miley, including the 2009 movie and “Best Of Both Worlds” concert film/DVD. The album marks the first new studio album from the band in over five years. Over the course of their 10-year career, American Hi-Fi has sold over 1 million albums thanks to hit singles such as the Top 10 smash “Flavor Of The Weak, ” “Another Perfect Day” (which was used as Coca-Cola’s theme for the 2002 Winter Olympics) and “The Art Of Losing, ” and they’ve toured the world with artists such as Elvis Costello, Matchbox Twenty, Bon Jovi and Fall Out Boy. My daughter has heard jokes as suggestive as anything Cyrus offered Monday night at kids’ movies such as “Madagascar, ” and saw racier images on the billboards hovering above Barham Boulevard on the drive to the club. Sexual display and broad innuendo run rampant in the forest of images and references in which she’s growing up; that’s part of contemporary life, and my job as a mom is to help her navigate it while developing self-respect and good sense. _____@@@@@@@@@@@@@@@@___
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Live from New York, it’s Miley Cyrus!
Kill Brand has hooked up with Trace Cyrus to release his clothing line called, Southern Made Hollywood Paid.
The release is set for July 4th and it will feature everything from shirts to hoodies, bookbags, posters, and bracelets.
Keep checking back to KillBrand.com for more details
The new version of the film will be written and directed by Azuelos, who is the original writer/director of the French film.
And the star-studded cast is rounded out by Twilight superstar beauty Ashley Greene who has been busy filming with Miley in Detroit!
Hannah Montana wasn’t too much of a hit in our house — my kid and her friends all prefer the snappier iCarly, and SpongeBob rules supreme. We never saw Cyrus’ movies. But we like her hits. “7 Things” kicks foolish-boy butt with a forgiving heart; “The Climb” shows her godmother Dolly’s influence. And “Party in the U.S.A.”? You haven’t really heard that song until a back seat full of kindergarteners has sung it to you.
So I didn’t hesitate a bit when the chance arose to make this review assignment a mother-daughter date. I wasn’t alone; the Cyrus show was initially planned as an 18-and-over event, but many concertgoers complained (including plenty of VIP’s, judging by rows of sparkle-drenched tweens and their little sisters lining the balcony) and, day of show, it was announced that youngsters would be admitted.
PG29263 Cyrus emerged on time, as the live stream demanded, marching onstage in leather pants and a cut-out leotard that, like many of her recent costumes, seemed Bob Fosse-inspired. (Her “shocking” costumes of late haven’t really been that revealing, though the brownface of the ice skating-chola getup she rocked at Sunday’s MuchMusic Awards went too far in a different way.) She stalked the stage with her dancers, singing her album’s title track, and then proceeded to chart and belt her way through several selections from “Can’t Be Tamed,” including one song about not letting others rule her actions (“Robot”), another supporting “my gay fans” (“My Heart Beats for Love”), and another encouraging women to leave abusive or confining relationships (“Liberty Walk”).
The sound of the new material was classic rock-lite, with big power chords and a few dance beats thrown in. Cyrus sang the material emphatically, displaying serious lung power throughout. She’s a capable rock belter with that nice rough grain to her voice — a quality that will benefit her as she goes through this harder-hitting vein, which may prove a lifelong path but more likely will make for a logical transition from the candy pop of her youth to the crossover country that’s her best bet for a long career.
PG29263 Cyrus emerged on time, as the live stream demanded, marching onstage in leather pants and a cut-out leotard that, like many of her recent costumes, seemed Bob Fosse-inspired. (Her “shocking” costumes of late haven’t really been that revealing, though the brownface of the ice skating-chola getup she rocked at Sunday’s MuchMusic Awards went too far in a different way.) She stalked the stage with her dancers, singing her album’s title track, and then proceeded to chart and belt her way through several selections from “Can’t Be Tamed,” including one song about not letting others rule her actions (“Robot”), another supporting “my gay fans” (“My Heart Beats for Love”), and another encouraging women to leave abusive or confining relationships (“Liberty Walk”).
The sound of the new material was classic rock-lite, with big power chords and a few dance beats thrown in. Cyrus sang the material emphatically, displaying serious lung power throughout. She’s a capable rock belter with that nice rough grain to her voice — a quality that will benefit her as she goes through this harder-hitting vein, which may prove a lifelong path but more likely will make for a logical transition from the candy pop of her youth to the crossover
I am clever, beautiful, nice, and I it I! Last year, she turned 18. In her first interview as a legal adult, the highest-earning teen in America confesses she’s not perfect. I also believe in bodily joy, which is something pop music has always provided me. Miley Cyrus, product of the Disney machine that she is, projects more explosive happiness in her hits than cold Britney or calculated (if admirable) Gaga offer, and she’s more of a tomboy than Taylor, whose princess act I find grating, though I admit that the politic blond is, at this point, a better songwriter than her more uncensored friend. As Cyrus rampaged through “I Love Rock ‘n’ Roll,” the Runaways’ “Cherry Bomb” and Jett’s signature “Bad Reputation,” I couldn’t help but imagine her sitting in a movie theater watching the recent biopic about that teen-age band. How could she not relate to the story of those wild girls, manipulated in ways connected to, though different from, her own youthful stardom, and struggling to find the will to go beyond that psychological serfdom? By embracing the role and the sound of the rock rebel, Cyrus claimed Jett, who was herself 17 in the Runaways, as mentor. And she also showed that she’s still listening to Mom and Dad. One way to see her latest phase is as an attempt to claim the abandon and sense of power that rock offered her parents’ generation. Rock has always celebrated sexual liberation. It seems completely natural that Cyrus would not only present that as part of her act, but actually feel it. As Cyrus rampaged through “I Love Rock ‘n’ Roll,” the Runaways’ “Cherry Bomb” and Jett’s signature “Bad Reputation,” I couldn’t help but imagine her sitting in a movie theater watching the recent biopic about that teen-age band. How could she not relate to the story of those wild girls, manipulated in ways connected to, though different from, her own youthful stardom, and struggling to find the will to go beyond that psychological serfdom? By embracing the role and the sound of the rock rebel, Cyrus claimed Jett, who was herself 17 in the Runaways, as mentor. And she also showed that she’s still listening to Mom and Dad. One way to see her latest phase is as an attempt to claim the abandon and sense of power that rock offered her parents’ generation. Rock has always celebrated sexual liberation. It seems completely natural that Cyrus would not only present that as part of her act, but
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